A Response: The Bacchae | St Martins & Fraught Outfit at Theatre Works as part of the Melbourne Festival

October 18, 2015 § Leave a comment

Language is dangerous. The written word can be formalised and structured. Its rigid connotations are far more fixed than an image, a moving tableau, or fluid bodies in motion. And so it seems Adena Jacobs would rather focus on the phenomenological and the semiotic rather than text itself. She is freed in this space of symbols and is empowered in the bodily response she can generate though sound. This binocular approach to theatre making produces an experience that is felt in the gut and one that also requires a considered response. There is potential for confusion on the audience’s behalf, but in Jacobs’ developed craft we are taken to one hell of a place.

The Bacchae, at Theatre Works, as part of the Melbourne Festival, is a production created by Jacobs and Aaron Orzech. It incorporates some 21 young women and one young man. It is a frightening spectacle of bodies and signs that provokes the audience and questions the way in which they construct meaning and project expectations onto young women. Some audience members left; whether they were bored or bothered by the production is unknown. The points at which they left were often at moments of uneasy imagery and the seemingly unseemly use of young people, in particular women, in such a way. « Read the rest of this entry »


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